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Melo drops visuals for Rao Tlatsa single ahead of his upcoming album Age Appropriate
Jackalas, the CP hitmaker, returns with something powerful and personal — a new single titled “Motlhala”, meaning The Path. From the very first line, where he repeats “life is life,” Jackalas sets a tone that’s both grounded and reflective, narrating the realities of youth, struggle, and perseverance.
Produced by longtime collaborator Prolanez, Motlhala blends mellow instrumentation with Jackalas’ honest storytelling. It’s a song about temptation, resilience, and finding one’s footing when life demands you to stand tall.
The visuals, shot by LP, are equally striking — a chrome black-and-white palette that feels raw, cinematic, and deeply intentional. Together, the sound and visuals create a space for reflection — about purpose, growth, and the choices that define our path.
With Motlhala, Jackalus isn’t just back — he’s evolving. And through it, he reminds us that the path may be tough, but it’s ours to walk.
Gaborone, Botswana — In “KoRoBeLa,” William Last KRM offers more than just a rap flex — the music video, shot by Cyc Jouzy, serves as a visual homage to cultural icons and personal inspirations who have passed on.
From the opening frames, the video sets a tone of reverence. Interspersed with scenes of the artist delivering his verses are visuals of the names he calls out: Rest in Peace Bruno, Mapetla (“Skhokho”), DramaBoi (WaMakeishane), Sasa Klass (Mmamongwato), ATI (Lekhete). These are not mere shoutouts — they are part of the narrative fabric, reminding viewers of lineage, memory, and inspiration behind his craft.
Cyc Jouzy, whose reputation as a leading videographer and multimedia creative in Botswana is well-established, brings a deliberate visual sensitivity to the project. His portfolio already includes working with several of the very artists honored in the video — including Sasa Klass, ATI, and William Last KRM himself.
Throughout the video, William Last’s presence is confident — he flexes, he asserts, he reminds the audience that he is here, standing on the shoulders of the names he mentions. But it isn’t an ego trip without roots: every strong bar, every visual insert, feels tethered to memory, respect, and lineage.
By elevating the images of those he honors, the video becomes a kind of memorial canvas. It’s not just about the living artist, but about those who shaped the terrain, the culture, and the path he now walks.
