Feature

U.S.-Africa Business Summit: Investment in Botswana’s Creative Industry – Unlocking Economic Opportunities

Published

2 years ago

June 29, 2023

The U.S.-Africa Business Summit, set to take place in Gaborone, Botswana from July 11-14, 2023, will provide a platform for key stakeholders to explore opportunities and forge partnerships that will enhance Africa’s value in global value chains. EBW is looking into this juggernaut with a specific focus on the creative industry, which features on a plenary panel – one that aims to showcase the immense potential for investment in Botswana & Africa’s creative sector, which is emerging as a significant contributor to the BW’s economy.

Over the past decade, Africa’s creative industry has experienced remarkable growth, transforming from a marginalized sector to a key player in the global creative economy. Valued at an impressive $2.2 trillion, the industry has become a source of employment, foreign exchange, and pride for the continent. Notably, the film sector alone generates $20 billion in revenue and supports an additional 20 million jobs, according to a UNESCO report.

Recognizing the creative industry as a growth agent and an economic multiplier, policymakers have placed greater emphasis on supporting and investing in this dynamic sector. The panel discussion at the U.S.-Africa Business Summit will delve into the current financing tools and emerging opportunities that stakeholders in the industry are leveraging to further expand and solidify the creative sector’s position as a valuable commodity, both within Botswana, Africa and abroad.

Distinguished speakers, including Akunna Cook from Next Narrative Africa, Germàn Cufrè from the International Finance Corporation, and Jade Osiberu from Greoh Studios, will share their insights and expertise on the financing landscape of the creative industry. The panel will also feature Linus Idahosa from Del York International Group, Denim Richards (Co-Founder & Actor), and Masego Mohwasa from Women in Film Botswana. Their collective knowledge and experiences will shed light on the opportunities available for investors and entrepreneurs to tap into the immense potential of Africa’s creative industry.

Investing in the creative sector offers numerous benefits for African and international investors alike. First and foremost, the industry stands to serve as a catalyst for cultural preservation, and job creation, providing employment opportunities for the country’s burgeoning youth population. With the sector experiencing growth rates between 12 and 16% every half-decade, there is a considerable demand for skilled professionals in various creative fields that could see those coming to Africa take advantage of Botswana’s stability, peace, and linkages to access an Africa-wide market.

Creative industries present a unique avenue for foreign exchange earnings. By nurturing and promoting local talent, Botswana is looking to attract international partnerships and collaborations, hopefully leading to increased exports of creative products and services. This, in turn, contributes to a more diverse and robust economy, reducing reliance on traditional sectors such as mining and agriculture…in the face of a government that’s increasingly trying to build a knowledge-based economy.

Additionally, the creative industry has a significant role to play in shaping the country’s cultural identity and promoting tourism. By showcasing Botswana’s rich cultural heritage through music, fashion, film, and art, the creative sector becomes a vital tool for attracting tourists and fostering cultural exchange. Cultural tourism has the potential to create a positive ripple effect across various sectors, stimulating growth in hospitality, retail, and other related industries.

The U.S.-Africa Business Summit provides a unique opportunity for investors and entrepreneurs to engage with government and private sector decision-makers over the course of four days. By participating in the various plenary sessions, sector-focused panel discussions, and networking events, attendees will gain valuable insights into the industry-tested solutions for doing business in Africa’s creative sector.

Moreover, the summit’s focus on enhancing Africa’s value in global value chains aligns perfectly with the Botswana government’s efforts to position the country as a hub for creative industry productions.

As African enterprises continue to forge regional and continental linkages, the implementation of the Africa Continental Free Trade Agreement (AfCFTA) further amplifies the possibilities for growth and job creation. The plenary session on enhancing Africa’s value in global value chains will highlight successful endeavors and explore strategies to replicate and scale these efforts, fostering collaboration between U.S. and African companies.

In conclusion, the U.S.-Africa Business Summit in Botswana presents a prime opportunity to explore the investment potential in Botswana’s creative industry. With its remarkable growth, employment generation, and contribution to the economy, the creative sector is poised to play a pivotal role in Botswana’s economic diversification. By leveraging the insights and networking opportunities offered by the summit, investors can tap into this thriving sector, contributing to the sustainable economic development of Botswana while enjoying the significant returns offered by the creative industry. For us, we’re hoping that it’s more than a talk shop – but a place where Botswana’s Creative Sector finally finds the investment it derserves.

Feature

ATI: The Voice That Held a Nation’s Heart

Published

2 months ago

September 17, 2025

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The Dawn of a Prodigy

When Atasaone Molemogi—better known as ATI—burst onto Botswana’s music scene, he carried with him more than raw talent. He carried a calling. His early mixtapes Batho Bame, Envelope, and Polao Ya Motho were not polished pop packages, but raw blueprints of a restless mind searching for language.

Even then, ATI stood apart. He was unafraid to bend Setswana idioms into rap cadences, to lace hip-hop bravado with folklore, to fuse the street and the sacred. EBW Magazine documented those first sparks, noting how his mixtapes became cult classics long before they were widely available on streaming platforms.

Pull-Quote: “It’s not about me, it’s not about you, it’s all about the people.” – ATI

Songs That Became Mirrors

ATI’s songs didn’t just entertain—they reflected. He sang of love stripped of glamour, of battles against addiction and despair, of identity in flux. Each track was an invitation to look inward.

Cheektu’cheek / Peipi / Arrr Bueng: playful yet poignant, showing ATI’s ability to create anthems while slipping in hard truths.
After Dawn: a lyrical meditation that merged personal reflection with national anxieties.
Nrelease: a commentary on love, emotional truth, and materialism.
Unfamiliar: a late-career piece weaving Setswana proverbs and existential thought into a sonic canvas.

EBW’s coverage of these works highlighted how ATI transformed songs into mirrors. His art was never passive listening—it demanded participation, introspection, sometimes even discomfort.

The Artist as Oracle

What made ATI unique was his willingness to act as both artist and oracle. He used stages, interviews, and even social media to hold conversations with his people. He dared to expose his vulnerability, and in that act, he gave his fans permission to do the same.

EBW’s reflective pieces often positioned him as a “seer”—one who could make sense of the chaos of modern Botswana through rhyme, rhythm, and raw honesty.

A Public Life, A Personal Struggle

ATI’s genius was inseparable from his struggle. He confronted depression, substance abuse, and the weight of public expectation openly. Campaigns like #FreeATI revealed not just fan loyalty, but the emotional contract between him and his audience.

His shows, whether at Mascom Live Sessions or smaller venues, were not mere concerts—they were communal rituals. Fans didn’t just watch; they healed, cried, and shouted alongside him.

Sidebar: Discography Highlights

Batho Bame (Mixtape) – Raw introduction, deeply rooted in Setswana consciousness.
Envelope (Mixtape) – Experimental flows, mixing bravado and vulnerability.
Polao Ya Motho (Mixtape) – Dark, confrontational, prophetic.
Khiring Khiring Khorong – A career-defining anthem.
Setimamolelo – A track that cemented his role as Botswana’s voice of resilience.
Nrelease – Exploring love, honesty, and the rejection of shallow materialism.
Unfamiliar – A lyrical farewell, questioning life, meaning, and legacy.

A Nation in Mourning, A Legacy in Bloom

When ATI passed in August 2025, Botswana paused. Tributes poured from state leaders, fellow musicians, fans, and global admirers. Memorials became celebrations, funerals became protests, and his absence became a rallying cry for reform in the creative sector.

Calls grew louder for proper legislation, health and financial safety nets for artists, and recognition of the arts as the pulse of Botswana’s identity. In death, ATI became what he had always been in life—a catalyst.

The Echo That Will Never Fade

Today, ATI’s music remains on playlists, but more importantly, it remains in the national psyche. His catalogue is now part of Botswana’s cultural archives, shaping not only how we listen, but how we remember, reflect, and reform.

EBW Magazine has had the privilege of walking beside him—from mixtapes to milestones, from controversies to catharsis. And now, as we bid farewell, we honor him with the same reverence he showed his people: unapologetic, vulnerable, and unafraid.

Final Pull-Quote: Rest in power, Atasaone Molemogi. You were more than music—you were movement.

Feature

Botswana’s Digital Content & Video Creation Scene is moving and we’re spotlighting it

Published

2 years ago

April 3, 2024

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In Botswana, a wave of creativity has been sweeping through the semi-desert country, particularly in the digital content creation space, where video producers are taking center stage. These individuals are not only shaping narratives but also redefining entrepreneurship in the creative industry. Let’s take a look at some of the notable figures who are making waves in the country’s video production scene, offering insight for anyone keen on understanding what’s happening in this space or who to look out for. This isn’t a definitive list but rather an attempt to catalogue the creative culture and entrepreneurship space. Here goes:

Leo Gucci: With a rich background in music intertwined with a mastery of corporate video production and photography, Leo Gucci stands as a beacon of creative versatility. His portfolio spans a kaleidoscope of projects, each bearing the hallmark of his ingenuity and artistic flair.

Gonna Elvis: Renowned for his captivating street photography and impactful corporate work, Gonna Elvis is the driving force behind The Photographers, a visionary company dedicated to encapsulating Botswana’s essence through visual storytelling.

Local Corner: A dynamic powerhouse spanning music videos, corporate endeavors, and podcasting, Local Corner embodies the spirit of multifaceted creativity. Their collaboration with SCAR on a widely acclaimed podcast underscores their commitment to narrative exploration across diverse mediums.

Owen Bands: A luminary in the industry, Owen Bands has sculpted the visual identities of numerous emerging artists, shaping the landscape of Botswana’s music scene. His return to filmmaking heralds a new chapter marked by innovation and fresh perspectives.

Cyc Jouzy: Revered for his impeccable visual aesthetic and unwavering professionalism, Cyc Jouzy reigns supreme as a titan of music video production in Botswana. His extensive body of work serves as a testament to his dedication and mastery of the craft.

ReMmogo Visuals: Leading the vanguard of the new creative wave, Bokang of ReMmogo Visuals epitomizes the relentless pursuit of excellence. Through tireless collaboration and a steadfast commitment to quality, he has emerged as a trailblazer within the industry.

Neo Visuals: Exemplifying the pinnacle of professionalism, Neo Visuals brings a touch of sophistication to every project they undertake. Their prowess in corporate videography elevates Botswana’s visual storytelling to new heights.

Eyes of Bryce: Despite being a newcomer to the scene, Eyes of Bryce has swiftly carved a niche for themselves with their crisp visuals and innovative approach. Their collaborations with esteemed artists like Ozi F Teddy foreshadow a future brimming with promise and creativity.

Bone Buzae: A polymath of talent, Bone Buzae effortlessly transitions between music and content production, epitomizing the spirit of creative fluidity. His evolution from rapper to content creator embodies the entrepreneurial ethos that defines Botswana’s creative zeitgeist.

Mdu Tha Party: Leveraging his influence from radio to social media, Mdu Tha Party has cemented his status as a prolific content creator. His podcasts and vlogs serve as vibrant tapestries showcasing the diverse tapestry of Botswana’s talent.

Good Vision: With a background steeped in music and entrepreneurship, Tabz of Good Vision brings a wealth of experience to his video productions. His contributions to podcasts and media platforms have solidified his position as a luminary within the industry.

Azizi Golekanye: As the visionary founder of Renov8Media, Azizi Goleknaye spearheads Botswana’s foray into film and music video production. His commitment to innovation and quality has garnered accolades both locally and on the international stage.

Super Honorable Mentions:

Jack Bohloko: Making waves in music videos internationally, Jack Bohloko represents Botswana’s talent on the global stage.
Serena Mmifinyana & Nikita Mokwagre: Trailblazers in a male-dominated industry, these two pioneering women leave an indelible mark on film and multimedia, particularly in their work with Multichoice.
Director Mo: Renowned for his collaborations with William La, Director Mo is a force to be reckoned with in the realm of visual storytelling.
Thebe Radiakwana: With a background in film education from Beijing, Thebe Radiakwana’s directorial prowess knows no bounds.
Shike Olsen: A pioneer in media ownership and music videos, Shike Olsen continues to push boundaries in the creative sphere.
https://www.youtube.com/watch?v=6cgBRkSLLWg
Moabo Mogorosi: A legend in the field of TV commercials, Moabo Mogorosi’s contributions to the industry are unparalleled.
Smokie Mogapi: From music videos to TV shows, Smokie Mogapi’s creative journey is a testament to Botswana’s innovation and talent.
Otsetswe Sedimo: As the founder of Torch Studios, Otsetswe Sedimo brings a unique perspective to corporate and music video production.
Thabiso Maretlwaneng: Leading the charge with his company, Dee Zone, Thabiso Maretlwaneng is a powerhouse in the production industry, particularly with his work on “Pula Power.”
Botlhe Trekbond: Based in Maun, Botlhe Trekbond’s wildlife videography captures the beauty of Botswana’s natural landscapes.
Thalefang Charles: With a focus on photography for National Geographic, Thalefang Charles showcases Botswana’s diverse ecosystems on a global scale.
New Look Studios: A TV production company based in Lobatse, New Look Studios is at the forefront of Botswana’s television industry.

In addition to these luminaries and honorable mentions, a constellation of other visionary creators shines brightly, each contributing their unique flair to Botswana’s rich tapestry of digital content creation. From international collaborations to grassroots initiatives, these individuals collectively embody the spirit of innovation and creativity that defines Botswana’s creative landscape. As the industry continues to evolve, their collective vision promises to illuminate new horizons and push boundaries ever further.

Feature

Backyard Stories: Cultivating a unique musical experience in Botswana

Published

2 years ago

April 3, 2024

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Backyard Stories, established in 2017 in the backyard of Broadhurst, Gaborone, blossomed into more than just a physical space. It became a haven—a sanctuary for music and community where rising artists are celebrated amidst an atmosphere of inclusivity and well-being. This unique haven distinguishes itself by being sober and smoke-free, fostering an environment where all, regardless of age or musical preference, can come together in mutual respect and shared passion. Picture it as a familial garden where music flourishes organically, free from distractions. Here, the focus is solely on the raw beauty of artistic expression, allowing even the youngest attendees to be captivated by the talent on display.

Music purity is the cornerstone of Backyard Stories, where the essence of artistry and storytelling takes precedence over external influences. It’s a space where musical legends are born, and where shared moments resonate deeply, leaving indelible memories that transcend time.

How does Backyard Stories specifically engage with local emerging talents, and what support structures are in place to propel them into the spotlight?

We are plugged into the community by attending Open mics and listen on Spotify, SoundCloud, Apple Music and to find hidden gems. We handpick promising artists and pair them with established names, amplifying their reach. We don’t stop there we provide each artist with a live band collaborations: Our resident band provides a pro backdrop for vocalists and songwriters to shine. Rehearsals with a twist: We don’t just practice songs, we craft show-stopping moments, collaborating with producers and artists to elevate their performance.

Maintaining a smoke-free environment is unique. How has this choice impacted the audience’s experience and the overall ambiance during performances?

Having an alcohol and smoke free event is greatly appreciated by our audience, and as a matter of fact, it surprisingly acts in favour of the show than against it. It’s one of the reasons why most people even are devoted followers of the show. I believe we’re at a place where young adults especially long for a place where they can enjoy themselves along with good company without the need to intoxicate themselves.

The concept of music purity is intriguing. Can you share examples of how this philosophy has influenced the style and content of the performances at Backyard Stories?

One of the pillars of backup stories is in Harnessing the power of storytelling. We can never underestimate the influence of an individual’s experiences on another human being, and sometimes that human being is a Standard 7 child that anxious about writing their PSLE or a inspired creative who can relate with the stories of the performing artists

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Beyond celebrating rising artists, how does Backyard Stories curate a diverse range of musical genres to keep the audience engaged and intrigued?

Musical diversity is in the Backyard Stories DNA. A show without a fusion of some sort is not a show by our books. From the instrumentalist to the artist, the Backyard stories has dabbled in rnb, pop, splash, hip-hop, neo-soul, reggae, kwaito and motswako. We’re constantly testing the limits of various musical disciplines and it probably wont stop anytime soon.

In fostering a family-friendly space, what specific initiatives does Backyard Stories implement to ensure that even the youngest attendees can engage with and appreciate the music?

One of the elements that backup stories has developed is of picnic tables. This is a curated seating arrangement for the entire family that prioritizes comfort and a good viewing of performances with the youngest enjoying the complimentary refreshments.

Can you share instances of artists who have risen to prominence after being featured or supported by Backyard Stories, exemplifying the platform’s impact on local talent?

As an organiser, one of the things I’ve come to acknowledge is that the Backyard stories is a platform that has a lot of ground to cover in terms of growth and improvement. And yet is never ceases to astonish me at the level of impact it has on its artists. We’ve seen it with Stretch when he released yarona FM top charting hit song ‘Senti’ featuring Jasmine Ashley. we’ve seen it with Mandy, Oura, Pablo, Kesego and Deena G. Our hope is that as Backyard Stories we become a platform that grows as it’s impact.

How does Backyard Stories actively involve its audience, turning the space into a collaborative community where everyone contributes to the musical journey?

What the Backyard Stories is dearly trying to do is to create an environment where ideas and experiences could be easily shared. And this is not a one-way conversation but an entire dialogue that even the audience gets to be a part of until the end of the show. The performances are interaction-based both in song and conversation so as to instill a collaborative aspect even with audience

Considering the focus on unforgettable shared moments, are there plans to expand Backyard Stories through virtual experiences or collaborations with other artistic mediums?

Absolutely! Unforgettable shared moments are at the heart of Backyard Stories, and we’re always exploring ways to expand that beyond physical spaces. While we can’t reveal everything just yet, here are some hints: Interactive Livestreams: Beyond basic streaming, we’re looking at interactive elements that let viewers feel part of the show, like live Q&A sessions with artists, virtual mosh pits, and co-created visuals. Cross-Medium Collaborations: Music is just one piece of the story. We’re open to collaborations with other art forms like dance, visual arts, and storytelling to create richer, multi-sensory experiences, even virtually. These are just a few possibilities, and we’re excited to see where technology can take us in sharing unforgettable moments.

In terms of community impact, how does Backyard Stories contribute culturally, educationally, or socially beyond the realm of music celebration?

Music is our core, but Backyard Stories strives for a wider impact: Culturally: We celebrate diverse local artists and their stories, fostering cultural understanding and appreciation. Collaborations like BW ARCHIVES preserve our musical heritage for future generations. Educationally: We plan to partner with schools and community centers to nurture young talent and promoting music education. Socially: We believe music brings people together. We create spaces for diverse communities, and use music as a tool for social good. Beyond these, we’re constantly seeking new ways to contribute. We see Backyard Stories as a platform for connection, creativity, and positive change, using music as a catalyst for a better community.