{"id":7985,"date":"2024-02-22T09:04:26","date_gmt":"2024-02-22T09:04:26","guid":{"rendered":"https:\/\/www.ebw.co.bw\/?p=7985"},"modified":"2024-02-22T09:04:28","modified_gmt":"2024-02-22T09:04:28","slug":"phala-a-botswana-film-showcase-bound-for-berlinale-and-cannes-2024","status":"publish","type":"post","link":"https:\/\/www.ebw.co.bw\/phala-a-botswana-film-showcase-bound-for-berlinale-and-cannes-2024\/","title":{"rendered":"Phala: A Botswana film showcase bound for Berlinale and Cannes 2024"},"content":{"rendered":"\n

In the emerging world of film in Botswana, emerges the narrative of “Phala.” This abstract short film, born from a serendipitous conversation between filmmaker Mooretsi Gabang and a long-lost schoolmate, is poised for acclaim at the esteemed Berlinale and Cannes film festivals in 2024, alongside Gabang’s feature “Zombie Date Night in Tlokweng.”, Bone Chone of OniroHouse.<\/p>\n\n\n\n

The chance reunion of these two collaborators, separated since their school days in 2008, became the catalyst for an extraordinary cinematic voyage. Gabang’s simple directive to “make it stand out” ignited a creative flame in his partner, giving rise to “Phala.” Fueled by a mutual drive to push boundaries, the team embarked on a quest to craft a visually arresting piece destined to leave an indelible mark on audiences.<\/p>\n\n\n\n

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With a background in music, the filmmaker drew inspiration from sonic landscapes, setting the stage for a mesmerizing audiovisual experience. Teaming up with Azizi as Cinematographer, Goaba as assistant Cinematographer, and Ipelo as Art Director, the vision began to take shape. But it was the contribution of praise poet Jabu, who delivered a stirring Setswana piece, that breathed life into the project, challenging the team to translate its essence into captivating visuals.<\/p>\n\n\n\n

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“Phala” transcends conventional storytelling, weaving together the rich tapestry of Setswana culture with dreamlike imagery to invite viewers into a realm of personal interpretation. Trippy Boy’s evocative musical score serves as the perfect companion, enhancing the film’s ethereal atmosphere and drawing audiences deeper into its hypnotic embrace.<\/p>\n\n\n\n

For Gabang and his team, the opportunity to showcase “Phala” at Berlinale and Cannes represents not only a professional milestone but also a celebration of Botswana’s burgeoning creative landscape. While their expertise lies predominantly in corporate content, the allure of these renowned festivals beckons them to explore new horizons and assert their place on the global stage.<\/p>\n\n\n\n

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However, the journey doesn’t end there. A chance encounter with a South African producer during a trip to America paved the way for another exciting project. Collaborating on a demo for a film in late 2023, the team now finds themselves on the brink of pitching to Netflix as part of its development program. It’s a testament to their resilience and determination to push boundaries, proving that creativity knows no limits.<\/p>\n\n\n\n

As they stand on the precipice of possibility, Gabang and his team are poised to make their mark on the international stage, armed with talent, vision, and an unwavering commitment to excellence. With “Phala” leading the charge, the world eagerly awaits the next chapter in their cinematic journey.<\/p>\n\n\n\n

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In the emerging world of film in Botswana, emerges the narrative of “Phala.” This abstract short film, born from a serendipitous conversation between filmmaker Mooretsi Gabang and a long-lost schoolmate, is poised for acclaim at the esteemed Berlinale and Cannes film festivals in 2024, alongside Gabang’s feature “Zombie Date Night in Tlokweng.”, Bone Chone of […]<\/p>\n","protected":false},"author":1,"featured_media":7986,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[128],"tags":[],"aioseo_notices":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/posts\/7985"}],"collection":[{"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/comments?post=7985"}],"version-history":[{"count":1,"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/posts\/7985\/revisions"}],"predecessor-version":[{"id":7996,"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/posts\/7985\/revisions\/7996"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/media\/7986"}],"wp:attachment":[{"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/media?parent=7985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/categories?post=7985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ebw.co.bw\/wp-json\/wp\/v2\/tags?post=7985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}